Babel
I haven't seen this movie but the reviews are great. It was nominated for at least 3 Oscars including Best Picture. Alejandro González Iñárritu is the director with Brad Pitt, Cate Blanchett, Gael Garcia Bernal, Koji Yakusho, Adriana Barraza and Rinko Kikuchi.
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In BABEL, a tragic incident involving an American couple in Morocco sparks a chain of events for four families in different countries throughout the world. Tied by circumstance but separated by continent, culture and language, each character discovers that it is family that ultimately provides solace. In the remote sands of the Moroccan desert, a rifle shot rings out - detonating a chain of events that will link an American tourist couple's frantic struggle to survive, two Moroccan boys involved in an accidental crime, a nanny illegally crossing into Mexico with two American children and a deaf Japanese teen rebel whose father is sought by the police in Tokyo. Separated by clashing cultures and sprawling distances, each of these four disparate groups of people are nevertheless hurtling towards a shared destiny of isolation and grief. In the course of just a few days, they will each face the dizzying sensation of becoming profoundly lost - lost in the desert, lost to the world, lost to themselves -- as they are pushed to the farthest edges of confusion and fear as well as to the very depths of connection and love. |
Babel is one of the best cinema experiences I"ve had. I would say it is the best movie I have seen since Million Dollar Baby.
The movie begins with a mischievous experiment by two shepherd boys in Morocco. Their ill-fated games reverberate through the lives of their family, US tourists (played by Pitt and Blanchett), a Mexican illegal-immigrant housekeeper who looks after Pitt's children, and the life of a deaf Japanese teenager.
Babel tackles the fallout of human ambition through a series of challenging issues, including stereotypes and hardships suffered by deaf people, the cruel double-life and treatment of illegal immigrants, and how westerners cope and react to African hospitality.
At first you fail to see how these storylines connect. As the plot progresses the themes are cleverly linked, but neither dominates. Each sub-plot delves into human agony in a brutally honest and heart-felt way.
The immensely talented filmmakers of Babel are behind the highly acclaimed 21 grams. In this movie they have created a similarly rough-shot, chaotic and chilling masterpiece that will have you clinging to the edge of your seats throughout. I felt this movie was more organised than 21 Grams as you can attach on the plot and relate to the themes more seamlessly.
It is also extremely refreshing to find a movie where A-list celebs like Pitt and Blanchett play second fiddle to relatively unknown actors like the brilliant Japanese teen Rinko Kikuchi and the believable housekeeper.
This is not the usual formulaic, dummed-down piece of Hollywood eye candy. It is a film that will make you think and keep your heart racing. I couldn't stop thinkiong about it for a week. This means it will not be everyone's cup of tea.
Unfortunately, tired and uninspiring block-buster action flicks like The Departed will do better at the box office and Oscars - but perhaps that is a blessing. Babel is well above what we come to expect from LA studios these days. It gets 4 ½ stars from me.
This is one of the most realistic movies I have ever saw in a while, nevertheless there are certain parts (and I am not talking about the nudity one) that I could do without but I understand the director trying to show the extreme and desperation of certain individuals and when you think about it, these things do happen under those circumstances.
One of the many messages of the movie is that tragedy can hit to anyone anywhere. This is a tale of unfortunate events that when you think things are going to get better (like most Hollywood movies)l they in fact get worst (as sometimes happen in real life) but hope is what get everyone going.
Every event is closely connected with each other and what is happening thousands of miles away from you can in fact affect your life and change it forever.
The movie is full of stereotypes that people do see and feel in real life! (that was the best part of the movie) The director tried to overemphasized the lack of exposure to other cultures than most Americans seem to lack and what shapes their views about other races and ethnicities.
You may also need to follow closely time events otherwise you may get lost.
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As I watched this movie I was trying to figure out what went wrong and what made each of the families connect and the answer is this: placing your family first. This to me was the main theme of the movie. Here is how I see it.
The Father of Two Sons
He obviously took for granted that these boys knew what they were supposed to do, but gave them no formal training. He could have sat with them, showed them how to use a gun responsibly.
The Japanese Girl and her Father
Here again the Girl was crying out to be accepted, but the father obviously was not fulfilling that need and so she turned to the wrong source: friends and strangers.
The Mexican Nanny and the Two Kids
She was desperately irresponsible. In the end she returned back to the same son she left behind. It was obvious that there was love and family for her in Mexico, but she rather be far from them as a nanny in the US? Maybe there was a financial need, but regardless, it is gone now.
The Man and his wife in Morocoo
Again the wife is crying out to be accepted. Both these parents - what were they doing leaving their kids behind and traveling through territory where they could get lost, die, etc.? If they died what would have happened to the kids?
Of course the other theme is choices and mistakes. Things we do can have global consequences.
Lastly, there is the subtle tone of... being out of your 'correct' environment. Now, there may be disagreement about this, but consider the gun did not belong in the boys' hands - maybe a sling? The Mexican lady did not belong in the US? Brad and his wife did not belong in Morocco. The Japanese girl who felt life was grossly unfair did not belong with those who she thinks are her friends?
Good analysis JB. I also think an stupidity factor takes place in each one of the stories although one of the main themes seem to be misunderstanding and the fact that people are not taking the time to listen. Babel is the tower that the Bible described some men tried to build to reach heaven and God got angry at them and confused their languages. (That's the reason for their title). Some thoughts on your review:
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The Mexican Nanny and the Two Kids She was desperately irresponsible. In the end she returned back to the same son she left behind. It was obvious that there was love and family for her in Mexico, but she rather be far from them as a nanny in the US? Maybe there was a financial need, but regardless, it is gone now. |
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The Man and his wife in Morocoo Again the wife is crying out to be accepted. Both these parents - what were they doing leaving their kids behind and traveling through territory where they could get lost, die, etc.? If they died what would have happened to the kids? |
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The Japanese Girl and her Father Here again the Girl was crying out to be accepted, but the father obviously was not fulfilling that need and so she turned to the wrong source: friends and strangers. |
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The Father of Two Sons He obviously took for granted that these boys knew what they were supposed to do, but gave them no formal training. He could have sat with them, showed them how to use a gun responsibly. |
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Pitt told her that he and his wife will not be able to return at the time they arranged |
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Once they are left in the desert, she leaves them alone in the middle of no where in order to get help. Stupidity. |
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It is marvelous the way the Mexican director shows the reaction of the couple and the rest of the Americans in the bus to the hospitality of the people in the village who they consider to be "primitive"... |
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Would it be necessary for him to have tell them that they should not shoot at cars? |
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This can also be considered very irresponsible, especially since the woman is not the parent as the US immigration officer told her at the end of the movie. |
In the remote sands of the Moroccan desert, a rifle shot rings out- detonating a chain of events that will link an American tourist couple's frantic struggle to survive, two Moroccan boys involved in an accidental crime, a nanny illegally crossing into Mexico with two American children, and a Japanese teen rebel whose father is sought by the police in Tokyo. Separated by clashing cultures and sprawling distances, each of these four disparate groups of people are nevertheless hurtling towards a shared destiny of isolation and grief. In the course of just a few days, they will each face the dizzying sensation of becoming profoundly lost - lost in the desert, lost to the world, lost to themselves - as they are pushed to the farthest edges of confusion and fear as well as to the very depths of connection and love.
Babel (Hover)